Nicolas de Staël, l'impossible Concert. Magazines Traces d'humidité sur les dernières

Traces d'humidité sur les dernières pages

A testament to the human capacity to create a viable environment despite extreme climatic constraints

and was an expert to UNESCO

thus casting significant light to the sanctuaries and cults of the Kythnians

that André Breton wrote Arcane 17

Nicolas de Staël, l'impossible Concert. Magazines Traces d'humidité sur les dernièresAlone in his studio in Antibes, facing the sea, Nicolas de Stal began work on a giant canvas measuring 3. 5 m by 6 m on March 14, 1955: The Concert . On one side, we see a black grand piano and, on the other, an ochre double bass, separated by music scores placed on music stands. But what is striking is the background of the composition that consumes the entire painting: a scarlet vermillion, like a large incandescent stage curtain. Two days later,